Review of Velvet #3

Velvet #3Velvet #3 by Ed Brubaker & Steve Epting

In the latest issue of this period spy drama, the narrative continues to build in momentum. A former field agent for an espionage Agency, Velvet has been framed for the murder of fellow agent, X-14. Forced to take flight and hit the streets once again, last issue centered on Velvet putting distance between her pursuers and her. Having caught her breath, she begins to retrace X-14’s steps which leads her to Belgrade and a rather, shall we say complicated, marriage.

One of the greatest pleasures of Velvet is watching Brubaker take the often disposable female types of spy stories (loyal secretary, restless wife of high level functionary) and flesh them out as nuanced characters. Velvet may have all of the superior skills of the best field agent, but she’s also a recognizable human being. There is a brief moment between Velvet and her colleague Burke, where Burke makes a suggestive observation. Velvet brushes away his advance with a dismissive comment (“stop looking at me like I’m still twenty-five”), and a slight smile which hints at feelings far richer within her.

As for the art, Epting continues to excel. This a story where the romance of globe-trotting espionage has been stripped away, revealing a spy adventure set mostly on shadowy streets, drab bureaucratic buildings and dank prisons. Epting (ably assisted by Elizabeth Breitweiser on colors) perfectly evokes this atmosphere of intrigue amidst the mundane. All in all, one of the best books I read this week. Looking forward to #4.

Rating: Poor, Fair, Good, Great, Excellent 

Review of Miracle Man #1


By Mick Anglo, Don Lawrence, Alan Moore, Gary Leach

So this is a couple golden aged stories written in the 1950’s with an extended history lesson and interview with Miracle Man/Marvel Man’s creator (which was a Shazam rip off anyway) but the real meat of this and what really matters here is the Alan Moore work and let me tell you it is something. Miracle Man which was written in 1981 predates Moore’s seminal DC work on Batman, Superman, Swamp Thing and of course The Watchmen. What’s so striking about this comic is despite coming before all of that work this still feels like he’s fully formed doing all the things that made his writing great. There’s the fall from grace of the golden age superhero as a symbol for the decay of the “great society“, the constant paranoia of nuclear holocaust and apocalypse in the cold war, the wonderful narrative devices and Moore’s underrated strong dialogue that carry’s his work and engages the reader to the characters. Forget all that cash grabbing prequal nonsense from 2013; this is the real Before Watchmen and over thirty years later it still feels as vital and full of life and wonder as if it was created today.

Poor, Fair, Good, Great, Great, Excellent

Review of Uncanny X-Men #16

300px-Uncanny_X-Men_Vol_3_16Uncanny X-Men #16

By Brian Michael Bendis and Chris Bachalo

This review begins with a question.  Is calm mannered Magneto a compelling character?  The answer is no.  This book has been fantastic and I have enjoyed it every month since issue #1. The one criticism I have is that Magneto is useless, he gets lost in the background.  Scott’s babysitter is not Erik’s finest role. Bendis tried to make him interesting by giving him that double double agent story, but that fell flat because being a double double agent cancels itself out, and turns out is not interesting (comic book math 🙂 ).

Continue reading Review of Uncanny X-Men #16

Review of Superman/Wonder Woman #4

Cover of "Superman/Wonder Woman #4"
Cover of “Superman/Wonder Woman #4”

By Charles Soule and Tony Daniel

This is the second comic today that made me question why I hate Love stories. Damn you Charles Soule and your brilliant mind!

In all fairness this isn’t a “Romance” comic. It’s more of a comic about a couple that can’t get any alone time. But, still pretty compelling.

What does it say about Charles Soule that he’s writing two of the most powerful and challenging characters (TOGETHER) for the last 4 months and crushed it each time? Continue reading Review of Superman/Wonder Woman #4

Review of Alex+Ada #3


By Jonathan Luna and Sarah Vaughn

This is fast becoming one of my favorite series from Image and overall. It’s a story we have seen before about a boy falling in love with an android (Cyborg, Terminator:Sarah Connor Chronicles, etc) but never as the focus. What would happen if you had an android as a girlfriend? As it turns out, if you want a relationship it will just become creepy.

The first issue could be described as the “Meet Cute” while the second might be the Second Date/Calling the Girl back. In this issue, its introduce her to your friends and get used to each other. This will be familiar to many; after the newness of the relationship wears off you have to get used to each other. Cracks start to show and you may become bored with the other person. Continue reading Review of Alex+Ada #3

Review of Justice League 3000 #2

Cover of "Justice League 3000 #2"
Cover of “Justice League 3000 #2”

By Keith Griffen, J.M DeMatteis, and Howard Porter

It’s funny how there can be 4 (count em, 4) Justice League books on the shelves and DC fans have pretty much accepted it. I mean, Marvel has a dozen Avengers titles, yet DC as no plans yet to add more JL titles. What it does have are 4 series; which with different characters and focuses. JL is about the “core” line-up (Superman, Batman, Wonder Woman, Flash, Aquaman, etc), “JL of America” is about a covert or more restricted team of other heroes, and “JL Dark” is about the magical heroes in the DCNU fighting magical threats. So where does that leave “JL 3000”? In a pretty fun place it turns out. Set 1000 years in the feature, the series is about a group of clones of the original JL (minus Aquaman, I mean who forgot to clone him?) fighting each other threats in the future. Continue reading Review of Justice League 3000 #2

Review of Disney Kingdoms: Seekers of the Weird #1

DKSWDisney Kingdoms: Seekers of the Weird #1
By Brandon Seifert and Karl Moline

Pros: This felt like a classic Disney adventure, almost like Escape to Witch Mountain.  Parents are taken out of the picture almost immediately, and it is up to the children, Max and Mel, to save the day.  The Museum’s design is intriguing, and the fact that almost anything can happen in it keeps it interesting.  Seifert’s (a favorite of mine since Witch Doctor) imagination runs wild on creating some wacky creatures, and Moline does a great job of providing that “Disney-ish” appearance.

Continue reading Review of Disney Kingdoms: Seekers of the Weird #1

Review of Star Wars #1

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Star Wars #1
Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin

Before my review, let me give a rundown of the current Star Wars influences in my life.

Yesterday I finished Aaron Allston’s novel Conviction and read the first 300 pages of Christie Golden’s Ascension, books seven and eight of the Fate of the Jedi series that takes place 44.5 years After the Battle of Yavin (as shown in A New Hope). In these pages, Luke, Han, and Leia are parents and even grandparents to a whole new generation of Jedi. The Imperial Remnant, consisting of the various Empire groups scattered throughout the galaxy post-Emperor Palpatine/Darth Sidious, has joined forces with the Galactic Alliance (formed after The New Republic and consisting of a majority of the galaxy’s governments) and the reformed Jedi Order, led by Grandmaster Luke Skywalker. But it wouldn’t be Star Wars if everyone got along peacefully. Enter Abeloth and the newly expanding Lost Tribe of the Sith. Because of the “reboot,” these stories now take place outside of the official continuity; however, I highly recommend exploring more of the expanded universe despite this. While many of the books are not very good, there are specific series that I’d place right up there with the movies. For more information on which books to check out, comment below, and I will be happy to give you a list.

This morning as I ate breakfast, I watched the first episode of The Clone Wars season three on Netflix. Other than a select few episodes, this series is fantastic. From the superb animation to the themes of belonging, individuality, war, love, etc., this is a unique exploration into what I usually find to be the least interesting period in the Star Wars timeline. In a clash between the Galactic Republic and the Confederacy of Independent Systems (using The Grand Army of the Republic and The Separatist Droid Army, respectively) that began on Geonosis (Attack of the Clones), the war essentially leads to the formation of the Galactic Empire with Uncle Palpy as the head. Geared to both kids and adults (though often I feel it to lean more towards the latter), this series is a no-brainer for any Star Wars fan. Not to mention, The Clone Wars series is one of the few stories outside of the movies to remain in-continuity.

In celebration of today’s Star Wars #1 release, I’m wearing my Han Solo/James Bond shirt (click here for image).

Suffice it to say, I’m more than your average Star Wars fan.

So when I heard that Marvel, after Disney having bought the licensing, was preparing to release the first issue in a series taking place between the fall of the first Death Star in Episode Four and the Battle on Hoth in Episode Five when the Imperials strike back at the Rebel Alliance, I was excited…but also weary. Dark Horse tried its hand at covering this same period with Brian Wood’s title of the same name, but after the initial honeymoon stage, I quickly lost interest. In fear of it following the same pattern, I opened the front cover to Aaron and Cassaday’s Star Wars #1 reluctant but hopeful.

It took maybe 3.5 seconds for any reluctance to drain from my body, the void instantly filled with glee. Even though the Expanded Universe may no longer be canon, this story does not go out of its way to conflict with what came before. Instead, it nestles comfortably among the history, forever stitching itself in the fabric of the Star Wars Universe. As for what happened in the story, I would rather you experience it for yourself. As you may notice, several of the other NBC! writers will be posting reviews. I’m sure some of them will most likely reveal what happens in the 48-page issue, so look to them for spoilers. Just know that this Star Wars fan gives it his approval, and that should be more than enough.

STAFF REVIEW! Captain Marvel #17

captainmarvelGreat moments can’t be planned. You can have all the pieces in place and think you have everything lined up but ultimately your creation is dependent on an inertia that you have little to no control over. In the beginning Captain Marvel looked like it was doomed to fail. Writer Kelly Sue DeConnick was predicting it would be canceled by issue six and the comic’s media initial response was a collective “meh” upon it’s inception. But Captain Marvel tapped into something that nobody saw coming, it gained a momentum that nobody could have predicted and now with it’s final issue before it’s relaunch this book has blown away every expectation as it stands in the rare air of Marvels A-List solo titles. This Carol Danvers starring Captain Marvel comic by DeConnick and frequent artist Felipe Andrade is shifting the comic book landscape for female Super Hero’s and issue seventeen is a fantastic celebration of that.

Continue reading STAFF REVIEW! Captain Marvel #17