Tag Archives: Daniel Acuna

Indubitable Issues and Pull List (08/09/17)




Tyler’s Recommendation…
Redlands #1
“Superstar colorist Jordie Bellaire makes her writing debut this week. Teaming up with the always fantastic Vanessa Del Rey for a tale of crime and horror about a coven of witches with devious plans in a small Florida town. I’m very excited for this one, and the creative team alone warrants your attention”

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Freeze Frame 11/20/2015

From Ms Marvel #1 by Takeshi Miyazawa & Ian Herring
From Ms Marvel #1 by Takeshi Miyazawa & Ian Herring

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Indubitable Issues and Pull List (11/18/15)




Tyler’s Recommendations: 
Beauty #4
“Jeremy Haun and Jason A. Hurley’s tale of a future where obsession over physical appearance has reached frightening extremes has been fantastic. Part horror, part detective mystery, part social commentary, this comic tackles every aspect with aplomb. Paired with Haun’s evocative and moody artwork, this is another Image title that belongs on your pull.” Continue reading Indubitable Issues and Pull List (11/18/15)

Freeze Frame 10/30/2015

From Robin Son Of Batman #5 by Patrick Gleason & John Kalisz
From Robin Son Of Batman #5 by Patrick Gleason & John Kalisz

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Freeze Frame 10/16/2015

From Clandestino #1 by Amancay Nahuelpan
From Clandestino #1 by Amancay Nahuelpan

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Tuesday Top Ten All Time Favorites: The Master List

Nothing But Comics has hit our two year mark and in observance of the sites anniversary, every Tuesday one of our staff members made a list of their favorite series, runs or issues of all time. This week we’ve aggregated all the list together Continue reading Tuesday Top Ten All Time Favorites: The Master List

The Rough Guide To All New, All Different Marvel

Fall is upon us but while Secret Wars and it’s many tie in’s sit in delay purgatory for the time being, Marvel is once again relaunching it’s superhero line with a whole bunch of #1 issues for their comics. With that said, the publisher is moving from a different position than they were in with Marvel Now & All New Marvel Now. With the former, Marvel had a lot of young creative talent that they were able to re-position during the relaunch to give their line a fresh make over and give creators they had brought up on  their lower tier titles a higher profile like Jonathan Hickman, Jerome  Opena, Esad Ribic, Kelly Sue DeConnick, Jason Aaron or Rick Remender. After Marvel Now was a success, they added several new talents into their fold by building off the success of the original relaunch, giving creators like Ales Kot, Tradd Moore, Michael Walsh, Felipe Smith or Michel Fiffe their first shot at a major comics launch with the publisher. Now, much of the talent from both those initiatives has moved on from the publisher. In their place, Marvel has new creators coming on from all sorts of different mediums in addition to some of their old standby’s like Brian Michael Bendis, Mark Waid or Greg Land, and they are publishing a lot of comics. Probably too many. Below is a list of all the announced new series categorized into grouping of Yay, Mayhaps or Nah like we did with Secret Wars. Keep in mind that I won’t be including series that are basically the same creative talent and that Marvel will surely have more books to announce in the months ahead.

4604713-untitled-1 Continue reading The Rough Guide To All New, All Different Marvel

Review of Sam Wilson: Captain America #1

cby Nick Spencer & Daniel Acuna

During the creator driven era of comics at Marvel and by extension, licensed comics at large, one of the drawbacks for the companies that own the licenses has been figuring out how to replace popular talent after they’ve left the series. No where has this been more apparent then Ed Brubaker after Captain America. Look, Captain America was created by Joe Simon & Jack Kirby, in fact, Jack Kirby ended up doing three separate runs on the character spanning over three decades. Jim Steranko might have done the best Captain America of all time while Steve Englehart & Mark Waid had beloved turns on the character as well. Rob Liefeld & Mark Grunweld’s time on the book are infamous & even Robert Kirkman took a stab at the super solider once upon a time.  But Steve Rogers as we know him now is Ed Brubaker’s version, the impact his run had and the time he spent on the series has eclipsed all other variations. Following Brubaker’s departure, Rick Remender tried a radically different approach up to and including switching Steve Rogers with Sam Wilson. But even with a handful of great artists like Stuart Immonen, John Romita Jr & Nic Klein, it could never transcend it’s predecessor. While the book had it’s moments, it just couldn’t follow in the steps of what’s been the definitive work from one of the greatest comics writers of this century. But with Remender stepping away from Marvel Comics, writer Nick Spencer steps into the fold and surprisingly, his style ends up working really well here.

Spencer is one of the many creative talents that made the jump from successful Image series to Marvel comics but his work didn’t click early on. After trying his hand at more traditional style Marvel work like Iron Man, X-Men, Ultimate’s or Avengers comics, the writer ended up finding his voice on the offbeat Superior Foes Of Spiderman. Free of expectations, Spencer was able to let his greatest strengths as a writer shine, that being his gift for finding humor and humanity within the mundane. Even though that would seem to be the antithesis of what you’d expect from a superhero comic, it worked wonders on Superior Foes, making it easily one of Marvel’s best comics and to his credit, Spencer has managed to continue that trend not only with Ant-Man, but more surprisingly here on Captain America. Spencer has a gift for satire that he’s able to take right to the heart of American politics in a way that is piercing and insightful in the titles debut. Fan’s of Spencer’s work on Superior Foes or Ant-Man will feel right in the groove of this book from the start as his hapless narrator, goofy dialogue and hilarious one off jokes feel in the same vein as the aforementioned work. Sam Wilson has to put his shield through the TSA checkpoint, Cross Bones claims that Baron Zemo kills him in trivial pursuit and a Kieron Gillen analogue requests for Captain America to fly him on stage to meet Taylor Swift. The same irreverence that’s made Spencer’s comics a must read the last couple years is on full display here.

Still, in spite of it’s humor, Sam Wilson manages to be insightful about American politics in a way that feels vital. Spencer captures the toxic unraveling of American ideology by highlighting how badly Sam Wilson pays for publicly standing up for his beliefs. This is where the other side of Spencer’s humanism shines, as he manages to make the struggles of everyday people like a group of Mexican immigrants trying to cross the US border feel real and personal. It becomes even more visceral when you see their opposition, Wilson standing up for them and the powers that are trying to hold him back.  On art, Daniel Acuna continues to be one of the best visual story tellers at Marvel Comics. He’s a master of movement, translating action sequences and panel placement with the way that he zones in and out of details on the page. What’s most encouraging here is how he handles the comedic aspects of the book, while it’s not something were used to seeing from Acuna, the artist manages to hit those beats dead on each time.

The debut issue of Sam Wilson: Captain America is a surprising success for how well it manages to integrate the creative talents of both Spencer & Acuna. What could of been an awkward fit or something that felt forced had they leaned too far in any one direction instead feels natural and makes for an enjoyable read. The question I had coming into this was how would Nick Spencer adapt his voice to this comic, and the answer is quite easily as he has been for some time now. But at this point, I don’t think Spencer has to answer to anybody, he’s found his voice as a comics writer and if this book proves anything, it’s that he’s mastered it’s application.

Freeze Frame 3/26/2014

It really doesn’t get better then this-Pat by JH Willams III from Sandman Overture #2


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Hess’s House Best of Big Two 2013

I freaking love comics. So many comics. Too many to put in one single list. We all like different things. Some of us like big two comics. Other’s may prefer large publisher creator owned work while other’s dig the small press. I like all of that. I’ll cover my favorites from the different corners of comic book publishing over the month of December. 

For this week I’ll be covering DC and Marvel Mainline Superhero Comics

Yes these are the big guys. I try to not write about DC and Marvel comics TOO much because I think it’s hard to give a take on these books that hasn’t been said ad naseum. Do you really need me to explain why Scott Snyder’s Batman is great again? I mean I already did once anyway and I’m about to one more time so there you go. That’s because whatever your feeling are about these comics they are ubiquitous and necessary. The sales and popularity of DC and Marvel props up the infrastructure of the entire industry so as much as I may prefer comics from Image, Darkhorse, Vertigo, First Second or Koyama those companies don’t exist without the big two. And that’s because people are passionate about the comics from these companies regardless of how they feel the quality of the current work. People love their DC or Marvel or both or they have complete disdain for one or both but it’s that passion for these companies that fuels comics as a business. As for me I still read a lot of stuff from them in spite of my passion for the indie and small publishers. In composing this list  I tried to trim it down to what I thought was the best of the best from the publishers. I get annoyed with events, crossovers, Scott Lobdell and West Wing fan fiction so all that relegated Animal Man, X-Men, Swamp Thing, Indestructible Hulk, Avengers Assemble, Wolverine and the X-Men, Action Comics, Daredevil: End of Days and Uncanny X-Men to honorable mentions status. ‘Nuff respect due for Captain America, Wolverine, Batman: The Dark Knight, Marvel Knights Spiderman/X-Men, Amazing X-Men and Superman Unchained which are all very good but just not good enough and Wonderwoman, Deadpool, Fearless Defenders, Journey Into Mystery, The Flash, Ultimate Spiderman and Aquaman which I’m sure are as amazing that you all say they are but life’s too short no what I’m saying?

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