As 2017 begins to unfold, Nothing But Comics draws its coverage of 2016 to an end with my list of Best Single Issues. All entries are listed alphabetically by title.
The ten best comics of 2016. As per the usual, some old favories, some new additions and everything in between. Continue reading This Year’s Finest 2016: The Ten Best Series
Brian K Vaughan & Adrian Alphona’s Runaways series is in development for adaptation at Hulu. More details at Deadline
Back in January Valiant launched a new solo min-series for Faith Herbert, aka Zephyr. This was great news for those of us who have been happily following her adventures ever since Joshua Dysart reintroduced her to readers in the pages of his Harbinger series. Two weeks ago, Valiant announced that demand for Faith had proven so strong that not only would her story be continuing, but it would be upgraded from a sequel mini to a new ongoing title. This is no small accomplishment, as Faith will be the first ongoing female solo title published by the current iteration of Valiant. As such, the new series, which will retain writer Jody Houser, represents another successful step forward for diversity in comics. However, it also points to another trend that has been occurring recently: a shift in the tone of storytelling. Ever since Alan Moore asked “Who Watches the Watchmen?” and Frank Miller pondered the last act of The Dark Knight’s career, the medium has been dominated by the grim and gritty archetype. At its height in the 90s, the prominence of such figures somehow achieved self-parody (cough, Az-Bats, cough) without losing their popularity. To this day, a new creative team’s pledge to “strip our hero down to nothing and see what makes him (or her) tick” is frequently cited as a fresh approach to counter lackluster storytelling. It’s not. Which does not mean that it cannot work, only that there is nothing groundbreaking about it. Instead, a new generation of heroines, including Zephyr, are helping redefine superheroes for a new generation of readers.
We finally made it. Some old favorites, some new favorites and everything in between. These are the ten best comics of 2015 Continue reading This Year’s Finest 2015: The Ten Best Comics of 2015
Comics in their essence are a serialized art form. We might discuss arcs and runs, trading waiting and so on, yet , most comics are still centered on the experience of reading individual chapters parceled out over a (typically) monthly basis. With this in mind, I offer my third annual list of the year’s most memorable single issues.
I start with my choices for the two very best:
Sandman Overture #6 by Neil Gaiman & J.H. Williams III: Dream’s cosmic journey across a universe (or two) came to a stunning conclusion in this issue. The issue contained several callbacks to Gaiman’s classic work, yet not none of them felt like self-serving fan service. Instead they enriched even further the fascinating personalities of the Dream Lord and his siblings. At the same time, Gaiman offered a story where the stakes were huge. Williams more than ably met the challenge of Gaiman’s script handing in page after page of stunning art. His detailed, imaginative work defied any traditional sense of page layouts, spilling the action in all directions. Rarely have words and pictures blended so well to create a truly emotional experience on an epic scale. For more, read Cosmo’s staff review.
Continue reading This Year’s Finest 2015: The Best Single Issues