Honorable Mentions: The Fix, Boundless, Doom Patrol, 4 Kids Walk Into a Bank, Black Hammer, Outcast, Gotham Academy Second Semester, Descender, Seven to Eternity, Archie, Thanos, Royal City, Rebels, Teenage Mutant Ninja Turtles, Aliens Dead Orbit
After a brief and unforeseen hiatus, the gang is back talking comics. Issues & series include Batman Annual #2, Saga #48, East of West #35, Batman: White Knight, Mister Miracle, Paradiso #1, Sleepless #1, Hawkeye #12 & more.
by Kelly Thompson, Michael Walsh & Jordie Bellaire
I don’t think anyone who read Hawkeye #12 would be surprised I hereby dub thee best comic of the week. I won’t lie, it was a great week of comics. East of West returned as a somewhat hilarious father and son journey to self discovery. Generation Gone and Kill The Minotaur concluded in artistically astonishing fashion. Batman Who Laughs legitimately horrified me. Joelle Jones was brilliant, as usual, on Batman and Bug, well, I don’t have to tell you how great Bug always is. But, in the midst of all these final chapters, one shots and climactic issues is Hawkeye #12, which breaks from the regular action to tell a fun team up story between Kate, Laura (Wolverine), Gabby (Mini Wolverine) and an actual wolverine.
Comics in their essence are a serialized art form. We might discuss arcs and runs, trading waiting and so on, yet , most comics are still centered on the experience of reading individual chapters parceled out over a (typically) monthly basis. With this in mind, I offer my third annual list of the year’s most memorable single issues.
I start with my choices for the two very best:
Sandman Overture #6 by Neil Gaiman & J.H. Williams III: Dream’s cosmic journey across a universe (or two) came to a stunning conclusion in this issue. The issue contained several callbacks to Gaiman’s classic work, yet not none of them felt like self-serving fan service. Instead they enriched even further the fascinating personalities of the Dream Lord and his siblings. At the same time, Gaiman offered a story where the stakes were huge. Williams more than ably met the challenge of Gaiman’s script handing in page after page of stunning art. His detailed, imaginative work defied any traditional sense of page layouts, spilling the action in all directions. Rarely have words and pictures blended so well to create a truly emotional experience on an epic scale. For more, read Cosmo’s staff review.
Continue reading This Year’s Finest 2015: The Best Single Issues