Tag Archives: Michael Garland

Freeze Frame 5/12/2017

From Justice League Of America #6 by Andy MacDonald & Hi-Fi

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Freeze Frame 1/20/2017

From Green Arrow #15 by Juan Ferreyra
From Green Arrow #15 by Juan Ferreyra

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This Year’s Finest 2016: Best Single Issues

As 2017 begins to unfold, Nothing But Comics draws its coverage of 2016 to an end with my list of Best Single Issues. All entries are listed alphabetically by title.

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This Year’s Finest 2016: The Ten Best Series

The ten best comics of 2016. As per the usual, some old favories, some new additions and everything in between. Continue reading This Year’s Finest 2016: The Ten Best Series

This Years Finest 2016: The Ten Best New Series

It’s December again which means another month of year end list and pontificating. Cosmo kicked things off with his best new character list yesterday, now it’s time for the ten best new series. Continue reading This Years Finest 2016: The Ten Best New Series

Freeze Frame 12/1/2016

From Old Man Logan #14 by Felipe Andrade & ian Herring
From Old Man Logan #14 by Felipe Andrade & Jordie Bellaire

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Freeze Frame 9/14/2016

From Shutter #23 by Leila Del Duca & Owen Gieni
From Shutter #23 by Leila Del Duca & Owen Gieni

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Freeze Frame 9/16/2016

From Detective Comics #940 by Eddy Barrows, Eber Ferreira & Adriano Lucas
From Detective Comics #940 by Eddy Barrows, Eber Ferreira & Adriano Lucas

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This Week’s Finest: The Black Monday Murders #1

BlackMondayMurders1
Tomm Coker

By Jonathan Hickman, Tomm Coker & Michael Garland

By this point, it should not surprise anyone that Jonathan Hickman has a bit of an apocalyptic streak in him. The most obvious examples of this tendency would be East of West or Secret Wars (a series which both began and ended with the literal sundering of all reality). However, this strain of pessimism can be found in many of his other works, such as Red Wing or Manhattan Projects. Even arguably his most idealistic writing, Fantastic Four/FF, often felt the poignant weight of regret for past actions, especially in regards to the character of Nathaniel Richards. Father figures often fail in Hickman’s worldview and not merely on a personal level. Usually the entire system meant to keep society running smoothly is in danger of collapsing.  And why not? “You have earned what is coming to you” East of West continually reminds its readers. Today Hickman revisits these themes once again with the debut issue of a new Image series The Black Monday Murders.  Yet, skillfully written within a fresh context, these ideas never feel like old hat. Instead, aided by talented artistic collaborators, Hickman produces an excellent first issue for the series.

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