I was going to start this review with ‘Mister Miracle is’, but now that I’ve given it some more thought, I don’t believe that is true. Orion would tell me it doesn’t matter what I believe, a statement is either true or false. So, let me try again, ‘Mister Miracle is’ is false. According to what I learned in this issue, ‘Mister Miracle is’ would imply that the comic Mister Miracle is all things, good and bad. It isn’t all things, it is all things good. The reason for me writing this review is to convey to you this very fact, that Mister Miracle is all things good. So, let me take a similar approach to the one René Descartes took on proving that God exists. Descartes’ argument is rooted in the idea that God is all things good. If you examine two things, God is always the better one. Take love and hate for example; love is better than hate, therefore God is love. This is where existence comes into play, since existing is better than not existing, God exist. If I reverse this logic and say Mister Miracle is well written, which is better than poorly written. It has gorgeous art, which is better than eye gouging art. It effectively utilizes the nine panel grid layout to tell the story, which is better than the nine panel grid layout bogging down the story flow. It stirs up a wide range of emotions, which is better than reading a comic with emotional responses equal to a robot. It exists, which is better than not existing. I think this proves that Mister Miracle is all things good. If I stick with Descartes “I think, therefore I am” then because I am a person and because Mister Miracle is a comic that is all things good, it has been selected as the finest comic of the week.
Okay, I think I lost myself in there somewhere. I hope you’re all still with me.
By Nick Spencer, Steve Lieber, Ryan Hill, Marshall Dillion
Over a year since it began, The Fix has established itself as a perverse and hilarious crime drama of two dirty cops trying to make it big. Roy and Mac owe a large debt to a local crimelord, and so have each taken on separate schemes to accrue said money. These schemes involved drug-addicted actresses, and a drug-sniffing dog named Pretzels. Things only got stranger from there… Continue reading This Week’s Finest: The Fix #10→
When considering the quality of a single issue comic, scope is something I always come back to; how much story does a single issue tell within the natural confines of the medium & format. Single issue comics have natural limitations in terms of size, anything approaching one hundred pages or more is probably a graphic novel at that point, while a single comics page itself can probably handle nine to twelve panels at most per page. Furthermore, a sizable portion of comics are created using pre-existing intellectual property, which in itself creates it’s own form of constraints on story telling based on the framework of the concept, to say nothing of the editorial guidelines of the corporate IP holders. But all these limitations are a big part of what I like about comics, seeing how creative talent can work within those guidelines and still tell an amazing story in a way that no other medium can. And that starts with scope, how much story a creative team leverages out of those limitations. Batman: Creature of The Night #1, by Kurt Busiek & Jean Paul Leon, is a comic that fully realizes its scope, and mines out its limitations for an incredibly creative and profound single issue, with a technical proficiency & synthesis in the art & writing that makes for a purely excellent single issue comics. Continue reading This Week’s Finest: Batman Creature of The Night #1→
by Kelly Thompson, Michael Walsh & Jordie Bellaire
I don’t think anyone who read Hawkeye #12 would be surprised I hereby dub thee best comic of the week. I won’t lie, it was a great week of comics. East of West returned as a somewhat hilarious father and son journey to self discovery. Generation Gone and Kill The Minotaur concluded in artistically astonishing fashion. Batman Who Laughs legitimately horrified me. Joelle Jones was brilliant, as usual, on Batman and Bug, well, I don’t have to tell you how great Bug always is. But, in the midst of all these final chapters, one shots and climactic issues is Hawkeye #12, which breaks from the regular action to tell a fun team up story between Kate, Laura (Wolverine), Gabby (Mini Wolverine) and an actual wolverine.
by Wes Craig, Toby Cypress, Niko Guardia & Jared K Fletcher
New comic book series come with an astonishing and accelerated frequency week after week. While comics retailers have certainly been feeling a strain on their business in 2017, that hasn’t seemed to slow down publishers from flooding the market with new material. As someone whose taken it upon himself to follow comics to the point that I can credibly edit and write a comics based website; the sheer volume can feel daunting while my excitement wanes downward. It’s easy to start feeling jaded with the industry, even too much of a good thing is still too much. But when its something really new and exciting, when it feels like something truly excellent, you know it. The Gravediggers Union #1, by Wes Craig, Toby Cypress, Niko Guardia & Jared K Fletcher is one where that become apparent immediately; this is the good stuff, this is something special. Continue reading This Week’s Finest: The Gravediggers Union #1→
by Dennis Hopeless, Victor Ibanez & Chris Sotomayar
Imagine placing Grant Morrison created characters into a Christopher Nolan written film. Sounds awesome, I know. Then imagine the story revolving around a teenage girl being telepathically guided by an older, dead version of herself. Throw in some expressive art and perfectly restrained coloring and you have Jean Grey #8.
By Ed Brubaker, Sean Philips, Elizabeth Breitweiser
Once again, Kill or Be Killed takes home the honor of This Week’s Finest. Things have almost come full circle as Dylan’s story has brought the events from the beginning of the first issue to the end of the thirteenth. The plot is thickening, and there’s still so much more to unravel about our righteous killer and what is pushing down this path… Continue reading This Week’s Finest: Kill or Be Killed #13→
Mister Miracle’s stunning debut concluded with protagonist Scott Free, aka Mister Miracle, teaming with wife/partner/colleague/ war general Big Barda, hopping into a boom tube back home to defend New Genesis from an invasion by Darkseid. This all followed a dizzying and engrossing set up, where Scott wakes up from an apparent suicide attempt, only to see his grasp on reality slipping. All in addition to the revelation for High Father that Darkseid has obtained the anti-life equation, a detail he shares with his son Scott before he’s murdered. Where as Mister Miracle #1 was notable for an overarching surrealism, partially designed to make readers question the reliability of it’s narrator and his surroundings, it’s second installment was slightly more grounded. Or, as grounded as the comic can be about a war between two planets of deities, and an installment with it’s own fair share of revelations and intrigue related to the stories overall mystery. Issue #3 merges the two settings together, creating a centralized perspective and contrast between Scott & Barda’s Los Angeles home against New Genesis, while further inverting and mutating elements of the books larger mysteries. Once again, with nearly flawless execution from Tom King, MItch Gerads & Clayton Cowles, Mister Miracle #3 is another astonishing work of comics unlike anything else. Continue reading This Week’s Finest: Mister Miracle #3→
By Ed Brisson, Mike Perkins, Andy Troy, VC’s Travis Lanham, Jeff Dekal
Danny Rand has finished his global adventuring and returned to his old stomping grounds in NYC, eager to rest and read over the Book of the Iron Fists tome to find a way to return to K’un Lun. Unfortunately, someone broke into his condo and stole it, right as Danny’s newest adversary has arrived in New York himself… Continue reading This Week’s Finest: Iron Fist #73→