By Marjorie Liu & Sana Takeda
As with any art form, the best comic books are those that offer an immersive experience. Favorite paintings or films, for example, provide visual worlds for contemplation, while listeners can lose themselves within an album’s aural landscapes. All these mediums share the ability to craft a compelling ambiance. The same is true of Monstress which continues its excellent run this week with another stunning issue.
Much of the appeal of Monstress is related to its elaborate world building. The narrative unfolds in the aftermath of a long brutal war waged between magical/semi-magical beings. This extended conflict, which continues to simmer not far below the surface, has left the environment ravaged. A general sense of gloom hangs over the proceedings, a visual reminder of writer Marjorie Liu’s motif of war’s deep, ill-healing scars. Issue #10 however, achieves a heightened level of dread as protagonist Maika and her companions reach the Isle of Bones.
Marjorie Liu talks about how she can sometimes struggle with writing action, her grandmothers experience and reaction to having lived through war, how she wanted to convey the transformative effect of violence on a persons psychology and more