Contains a spoiler for the mid-credits scenes of Guardians of the Galaxy Vol. 2, plus multiple ones for Infinity Gauntlet and its aftermath.
This past weekend Guardians of the Galaxy Vol. 2 arrived, racking up the box office and leaving fans wondering what was next for the Marvel Cinematic Universe’s cosmic heroes. The immediate answer is Avengers: Infinity War which will involve Thanos, Infinity Stones and some sort of existential threat to life throughout the universe. The question is what comes after all that. Guardians writer/director James Gunn has already confirmed that there will be a Guardians Vol. 3 for Phase 4 of the MCU and that he will be returning to helm it. In his statement, he reiterated Marvel Studio’s party line about Avengers 3 and 4 being a culmination of everything which came prior. He also dropped a hint that, like Earth’s Mightiest Heroes, the Guardians will see some status quo shifting post-Infinity: “It will conclude the story of this iteration of the Guardians of the Galaxy, and help catapult both old and new Marvel characters into the next ten years and beyond.” This is a rather broad statement which covers a wide amount of ground. The universe is a vast place and, even with certain character rights tied up at Fox, still well-populated with assorted friends and foes. The following is not in any way a prediction of what Marvel and Gunn are planning but simply an imagining of what one possible avenue could be.
So far, Marvel Studios has had a bit of a sequel problem. Iron Man 2, 3 and Avengers: Age of Ultron delivered various levels of enjoyment while containing flaws which prevented them from fully hitting the heights of their initial installments. Thor: The Dark World was able to improve on the first Thor outing (an admittedly low bar to clear) and provide an entertaining experience. Still, it is unlikely to make many fans’ favorite lists. Only Captain America: Winter Soldier and Civil War have been able to avoid the sequel curse. Both films were able to deliver bigger thrills while also deepening the characters driving the narrative. The movies, particularly Civil War, drew on the advantages of having a shared universe without getting bogged down in the negative aspects as did Age of Ultron. This pattern is odd, given how successfully Marvel Studios has cultivated their cinematic universe; after all, in a sense, even new properties such as Ant-Man or Doctor Strange are simply further chapters in the unfolding Avengers saga. Fans know sooner or later that all of this is going to tie together. Watching the pieces fall into place can be exciting, but it can also be tiresome when mismanaged (again all that foreshadowing in Ultron). Guardians of the Galaxy Vol. 2 pulls back from some the first film’s more overt seeding (sorry, no surprise Thanos cameo) in order to focus on the Guardians themselves. The result is an entertaining film which delightfully extends the zany vibe of the original.
By Gerry Duggan, Aaron Kuder & Ive Svorcina
Three years ago Marvel Studios released Guardians of the Galaxy which rapidly rocketed to being one of the biggest domestic films of the year and, in the process, transformed the team into one of Marvel Comic’s most bankable brands. Such success might raise fans’ expectations for Marvel to publish some stellar Guardians yarns; such expectations proved to be misguided. Fans did get a great Rocket Raccoon solo book (or more precisely a string of solo titles, only the last of which disappointed). Unfortunately when the film came out, the main Guardians title was already in the throes of a run by Brian Michael Bendis. Bendis’ time on the title suffered from all of his flaws while benefiting from none of his strengths. Poorly plotted and overly quipy, his Guardians represented the writer in full autopilot mode. After a four year stretch, Bendis’ last issue on the series arrived last month, making way this week for a new relaunch and, most importantly, a new creative team. Right off the bat, writer Gerry Duggan and artist Aaron Kuder inject the title with a delightful energy.
As with much of the Marvel Universe, the seeds of its cosmic sphere can be traced back to the collaborations of Stan Lee and Jack Kirby, specifically the pages of Fantastic Four. While not the earliest of the First Family’s encounters with extra-terrestrials (that honor goes to #2’s tale of Skrulls), the most iconic is The Coming of Galactus. This three party story (#48-50, 1966) not only introduced many important characters (Galactus, Silver Surfer, The Watcher) it also laid a groundwork for the tone of Marvel sci-fi. Its narrative focused not simply on action, but, character, anchoring heroism in a sense of humanity. In the next decade Jim Starlin would build on these elements when crafting his philosophical, surreal journeys through the cosmic realm. This initial phase of Marvel’s cosmic story ended with Starlin’s original graphic novel The Death of Captain Marvel (1982). In the 90s though, Starlin returned to Marvel’s cosmic characters, scripting Infinity Gauntlet which ushered in a higher level of visibility for this corner of the Marvel Universe. Starlin worked on multiple projects during this period, many revolving around a pair of characters who had come to be synonymous with his Marvel work: Adam Warlock and Thanos. The final comic Starlin wrote during this second phase of his Marvel career was a Thanos series. Starlin produced the first six issues before departing, replaced by writer Keith Giffen. After wrapping up the Thanos series, Giffen would proceed to inaugurate the third era of cosmic Marvel with a Drax the Destroyer limited series.